Again, in 29 Palms, we embarked on an exercise with around 300 extras who represented both the Afghan and Iraqi population. A few dozen Marines were on guard and went out on patrol. The town where the maneuver was carried out was on a slight rising in the desert and its buildings were made from containers. It looked as though we had modeled reality on a computer animation.

Again, in 29 Palms, we embarked on an exercise with around 300 extras who represented both the Afghan and Iraqi population. A few dozen Marines were on guard and went out on patrol. The town where the maneuver was carried out was on a slight rising in the desert and its buildings were made from containers. It looked as though we had modeled reality on a computer animation.

和三倍的暧昧的三个男生的设定挺像的（傲娇男，青梅竹马男，汪汪男）

和三倍的暧昧的三个男生的设定挺像的（傲娇男，青梅竹马男，汪汪男）

In the 1910s, journalist Arvid Stjärnblom and painter's daughter Lydia Stille fall in love with each other.

主角永久子是有着孩子，且刚上任建设公司白熊房屋社长。以东京奥涩谷为舞台，描述虽然可以一个人生活，但并不是想一个人生活的永久子被３个前夫折腾着并奋斗的故事。

主角永久子是有着孩子，且刚上任建设公司白熊房屋社长。以东京奥涩谷为舞台，描述虽然可以一个人生活，但并不是想一个人生活的永久子被３个前夫折腾着并…

“Immersion” shows a variation of the same training program. In this case it is recreating the traumatic experiences of soldiers during the war for therapeutic purposes. The soldiers are being trained and rehabilitated through virtual reality recalling their memories. Immersion was flmed in Fort Louis, near Seattle, during a treatment of PTSD.

“Immersion” shows a variation of the same training program. In this case it is recreating the traumatic experiences of soldiers during the war for therapeutic purposes. The soldiers are being trained and rehabilitated through virtual reality recalling their memories. Immersion was flmed in Fort Louis, near Seattle, during a treatment of PTSD.

In this fourth of a four part series, media artist Harun Farocki explores the interplay between modern warfare and electronic media using computer simulation and documentary footage. Originally presented as a simultaneous four-screen gallery video installation, the separate films are available exclusively on realeyz.tv. 　　Director's Notes to part IV: 　　“This chapter considers the high degree of similarity between the images used in briefing for war and those used in debriefing once it’s over. There is one difference, however: the program for recalling traumatic experiences is slightly cheaper. Here, nothing and nobody casts a shadow.” 　　(Harun Farocki)